When the opportunity arose to create the sets for the opening scene of the movie Titanic, I was mesmerized by the world of set decoration. This experience opened the door to a new world of designing gardens on huge sound stages, desert roads and mountain overlooks. Over time, that sensibility carried me beyond the studio stages and into the landscape.
What began as an exploration of objects evolved into shaping environments and composing with stone, soil and plant material. My process remains intuitive and tactile guided by placement, proportion and responsiveness to what's in front of me, allowing each garden to emerge much like a piece of sculpture, layered, immersive, and alive.